I usually photograph strangers, but in the case of Gene*, I had the opportunity to get to know my subject while making a documentary about his life. During our time together, Gene shared many stories, both on camera and off. He told of the struggles, and sometimes thrills, of living between worlds as a trans woman in the 1940s and 50s.
I wanted to make a portrait of Gene that would reflect his fortitude – in his lifelong fight for equality and in the face of a terminal illness. The light, the color, the drapery across Gene's lap, and the formality of the pose are inspired by the paintings of the Old Masters.