For the final series, I used a piano to represent the musicality of Fischinger's work, scissors and pencil to represent Bass's, and broken glass and paint for Coopers. A consistant grid was used to allow for a cohesive feel for the series as a whole. The color scheme for each of the posters also reflects the artists specifically bright, cheerful colors for Fischinger, bold, saturated colors for Bass, and dark, dull colors for Cooper.