Our solution to their marketing takes its inspiration from the publishing world, where a strong, simple, graphic approach to storytelling on a cover will engage buyers visually, but it’s the synopsis on the back that often clinches a purchase. Consequently, all campaigns now lead with the stories (rather than a title only likely to mean something to opera lovers), and clarify that each production is either sung, or translated, into English, with tickets available for every production at affordable price points, to appeal to new, younger and less privileged audiences, who may previously have concluded opera was not for them.