In working with light and shadow, each composition reflects the mental illness of its respective author. Edgar Allan Poe's composition is shadowy, which demonstrates and emphasizes the depression, death, and emptiness that Poe experienced. His writing was twisted and strange, and the unclean cuts on the paper that creates his name reflects that. Additionally, the deep, saturated red gives the viewer a connotation of death, an underlying theme in Poe's life. Likewise, Paul Laurence Dunbar's shadows are linear, bold, and clean: mimicking the theme in Dunbar's poetry of cages and feeling trapped. The saturated blue, like Poe's red, feels sad and slow, reflecting the depression Dunbar suffered with. Lastly, Ginsberg's shadows are created using two spotlights, highlighting the chaos and conflict that he spent his life fighting against. The bright yellow is anxiety-inducing, emphasizing the insanity that Ginsberg suffered through. These methods unify the posters through concept, while allowing each to stand on its own as a single composition.