The play's director favored imagery sans human figures, preferably focused on a house, executed in a Halloween color palette. That guidance provided a solid starting point for the art. I opted to create a very literally broken home: a disintegrating house without a foundation is split in two by ground that has become markedly uneven. The darkness within the house leaks from a gap in the roof, hovering like a strange ghost around a full moon; the latter, only partially obscured by the toxic mass, seems to omnisciently preside over the scene with a suggestion of eyes.
The artwork was executed in a mix of ink, watercolor paint, and vector art.