The LP cover of the gramophone record and the poster were made on the 40th anniversary of the most recognizable Slovenian music group Laibach. In addition to music, the group also creates art and visual works, for which the term Laibach Kunst has been adopted. Laibach in its music manipulates totalitarianism at every turn and exploits the power of symbolism. Designing the LP for Laibach is exploration how the listener connects with totalitarian symbolism. Is this a mirror in which the listener looks itself and asks: ”Am I also under the auspices of totalitarianism?“ Through the cover, it’s interior and the poster, this question is presented with the help of a narrative.

The LP cover of the Laibach group is a black box full of hidden characters that originate from the recognizable Laibach language. Inside the box, different meanings are multi-layered.
There is a gramophone record and a poster in the pulled-out drawer. On both are graphics of tiny black crosses and red industrial workers placed in a sort of composition. What exactly represents the pattern on the poster, only a handful of music masters would be able to figure out. The answer is therefore hidden in the inner frame of the box, in a portrait of a Baroque German composer, which is seen in the reflection of the mirror foil through the upper and side opening when the drawer is fully opened. The poster pattern is a reinterpretation of the entire Bach Toccata and Fugue in D minor, with each note replaced by a black cross and each pause by a red worker.
Finally, the name of the group is humorously depicted in Bach's portrait, which has english word 'lie' written on Bach's lips, an equivalent of the word ‘lai’ (bach).