The central character is horribly deformed, yet Bradley's approach to the role entailed a deconstructed methodology that employed no makeup. In order to give the ticket buyer no preconceived notions of the experience we designed a highly typographic approach to the artwork. Other markedly distressed and purposefully deformed typographical designs were eschewed in favor of this variation where the typography embraces a suprisingly elegant, lush formality that is very much of the time.