Photograph the bronco in studio, then place it into a an engaging scene showing its use.
We wanted a background that could itself be the main subject. We photographed the bronco and the storm chaser separate in studio to match the light of the backgound scene. With a little wind on the shirt and the drivers door open, added the right amount of action to reveal the extreme nature of the final composition.
My dad, who is a photographer himself, was angry with me for taking such risks. Even he was fooled. Client was speechless.