From the beginning I wanted to use texture to ignite the viewer’s senses. I achieved this by exploring different textual variations of rain and water. The dripping element at the top, the water splatter effect coming from the edges of the page, and the dewy surface texture within the title all work together, yet stand out individually. The longer your eye zig zags across the page, the more detail becomes apparent. For example, pink raindrops are subtly splattered on the page because they are atypical for weather imagery. Mixing the pink with the bright blue and white creates a high contrast, striking image. The illustrated hands are meant to add a sense of humanity to the piece; personally connecting the viewer using a familiar pose as if trying to decide what to wear for the weather. That said, we don’t see who the hands actually belong to, once again creating a sense of unpredictability. The layout relies heavily on imagery and typography. There is little other information or additional text from the article on the opening spread. This was done intentionally, as the viewer’s curiosity should be the driving force persuading them to turn the page.