This newspaper project pertains to a topographical introduction of the conceptual artist Jenny Holzer through visualizing her renowned projects with metaphors consisting of playful typefaces and photographic imagery, beyond that, the interplay between her anonymous personality and her thought-provoking poststructuralism style in conception is also delineated.
Approach
The newspaper is subdivided into several sections, including a comprehensive intro on the cover and back, a delineation of her demagoguery works (including her renowned Inflammatory Essays and Truisms), a dissection of her idiosyncrasy, and an analysis of her work style.
Results
Audiences are expected to have a holistic view of Holzer from surface to depth, from representative to abstract, via the very organized texts and spreads.
