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As part of our “20/2” series of personal projects, “Projection” looked to explore the potential of the human face as a surface for projected imagery—an otherwise unorthodox surface.
The models' faces were primed with makeup to ensure a neutral, smooth projection surface. An array of lasers was photographed, and finally projected onto the skin of two models.
The result was a successful juxtaposition of organic skin tones and vibrant overlays, accentuating the tooth and texture of digitally projected light.